[Cross posted from http://philosophymodsquad.wordpress.com/2014/05/19/cavendish-and-causal-models/.]
I want to say a little bit about the way Margaret Cavendish thinks about causation. A key aspect of that is an inversion, or set of inversions, of what other modern philosophers were up to. One prominent trend in modern philosophy was what is called mechanism. The central mechanist idea is that many natural phenomena are to be explained as the results of mechanical interactions. The shapes, sizes, and motions of the small parts of things explain, the mechanists argued, more than one might otherwise think. The mechanism of a clock provided a useful example: its apparently non-mechanical ability to tell the time is explained by the shapes, sizes, and motions of the parts inside. The mechanist project, so to speak, was to explain more and more of nature in this sort of way. Descartes provides an obvious example of someone taking this sort of approach. Hobbes provides an even better one, thinking that this sort of mechanical explanation applies to human cognition too.
That Hobbes and Descartes were wrong about things in this general area is one of the themes of the first part of Cavendish’s Philosophical Letters [PL].
[Cross-posted from philosophymodsquad.]
In preparing to talk about Descartes on machines and animals and human beings the other day, I set out looking for information about seventeenth-century automata.
One really interesting thing is Jessica Riskin’s article “Machines in the Garden” in Republics of Letters. This has a lot of information about “lifelike machines” of two sorts: religious ones – “the muttering Christs, the horn-playing angels, the eye-rolling devils, the teeth-chattering heads” – and a great variety of hydraulic machinery in the gardens of the rich and powerful.
There are also multiple online versions of Salomon de Caus’s 1615 book, Les raisons des forces mouvantes, avec diverses machines tant utiles que plaisantes, auxquelles sont adjoints plusieurs dessings de grotes & fontaines. The image below is one example of the machines illustrated, and is described as a machine “Pour faire representer le chant d’un oyseau en son naturel, par le moyen de l’eau”.
One online version of the book is at http://cnum.cnam.fr/SYN/FDA1.html. For another version, and more description of the book’s contents, see http://architectura.cesr.univ-tours.fr/traite/Notice/Caus1615.asp?param=en. Or alternatively, for just the illustrations, see http://gallica.bnf.fr/ark:/12148/btv1b2100042f/f1.planchecontact.